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March of the Writers – Day 7 – Tune in or Tune out (MOTW PLAYLIST)

Tune In or Tune Out (MOTW Playlist) Writers tend to fall into two camps when it comes to music: those who need complete silence to work, and those who build entire soundscapes around their stories. I’m firmly in the music camp. Music has always been …

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March of the Writers – Day 6 – Writing Tribe

Writing Tribe Writing is often described as a solitary craft. Hours alone with a blank page, wrestling with words, chasing ideas down rabbit holes only you can see. But no writer truly does this alone. Every author has a tribe—people who share the journey, offer …

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March of the Writers – Day 5 – Your Origins Story.

Origins Story: Where the Writing Began Like a lot of writers, I can trace the moment the writing bug bit me. I was a teenager in a mental health retreat. One of the case workers there encouraged me to start writing down how I felt. …

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Cover Stars: Yes, You’re Supposed to Judge a Book by Its Cover

March of the Writers – Day 3 “Never judge a book by its cover” might be kind advice for humans, but it’s terrible advice for publishing. Readers judge covers instantly. In seconds. Before a synopsis. Before a review. Before a single word. And they should. …

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Genre-lly Speaking – March of the Writers Day 2

I write psychological thrillers and speculative suspense. I’m drawn to stories that live in the tension between truth and perception—where nothing is entirely stable and every revelation reshapes what came before it. My work often stands in the long shadow of real historical events, exploring …

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Who Is This? – March of the Writers Day 1

Who Is This? My name is Richard White. I’m a novelist, an MFA candidate in Creative Writing, and the founder of Whispers in the Dark Press. I write stories that live in the quiet spaces after chaos—where grief lingers, where truth fractures, where the human …

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Entering the Shadow: The Making of The Gemini Project

For more than twenty years, I have been studying power. Not from headlines alone.Not from official summaries.But from the architecture beneath them — declassified memoranda, war planning language, command simulations, and the subtle difference between public narrative and operational intent. Some stories begin as inspiration. …

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